Intimations
(at Finzi Window, Gloucester Cathedral)
Within that inner jewelled heart,
where all the colours gather back
into a whiteness of the soul,
I can reside complete and still –
between the words, inside the song –
at the essence of such beauty
and an inward sense of answer
© Anthony Pinching
Friday, 28 October 2016
Wednesday, 19 October 2016
& ante
What just denoted walking pace,
the leisured middle movement stroll, becomes –
with an exquisite error of transcription – the question:
“And before?” Nothing so simple as: “And then?”
To find a way into this mystery,
we could walk awhile, and then look back,
triangulate future and present
towards a not yet remembered past.
The sonata encompasses familiar patterns,
flowing and developing in its path –
but is this really “And before?”,
or just the prelude to a question?
& ante asks about the preconceptual moment
when the composer is imagined by the performer.
© Anthony Pinching
Published in:
‘Soundscapes – A Musician’s Journey through Life and Death,
by Paul Robertson. Faber & Faber, London 2016. pp. 221-2.
What just denoted walking pace,
the leisured middle movement stroll, becomes –
with an exquisite error of transcription – the question:
“And before?” Nothing so simple as: “And then?”
To find a way into this mystery,
we could walk awhile, and then look back,
triangulate future and present
towards a not yet remembered past.
The sonata encompasses familiar patterns,
flowing and developing in its path –
but is this really “And before?”,
or just the prelude to a question?
& ante asks about the preconceptual moment
when the composer is imagined by the performer.
© Anthony Pinching
Published in:
‘Soundscapes – A Musician’s Journey through Life and Death,
by Paul Robertson. Faber & Faber, London 2016. pp. 221-2.